| |
| Asian
Civilisations Museum |
|
Memories
at Old Ford Factory |
 |
|
 |
|
 |
|
 |
Kushana
Buddha
Dating to 96 BCE, this sculpture is one of
only six examples of dated Buddhas of this
iconography from the Kushana period in existence.
|
|
Makara
Head
This impressive Southeast Asian version of
the Hindu mythical creature with features
of an elephant, crocodile, fish and goat,
was a decorative item on processional vehicles
used in Malaysia over 100 years ago. |
|
Lim
Bo Seng's War Diary
Contains Lim Bo Seng's (an anti-Japanese resistance
fighter) innermost thoughts about his family
before he left for Force136's base for training,
as well as his experiences during training. |
|
Prisoners
of War Cook Book
A collection of recipes for dishes that POWs
thought and "dreamt" of preparing when they
were interned during the Japanese Occupation. |
 |
|
|
|
|
|
|
| Reflections
at Bukit Chandu |
|
National
Museum of Singapore |
 |
|
 |
|
 |
|
 |
Lt.
Ibrahim Sidek's
Tin Mug
Army-issued tin mug donated by Mdm Sharifah
Khadijah bt Hamid. The tin mug was her one
and only keepsake from her husband, Lt Ibrahim
Sidek, who was with the Malay Regiment during
the war. Lt Sidek was executed in February
1942 for defying Japanese orders to remove
his Malay Regiment uniform. |
|
Valerius
Sepi's
Wall Mural
Valerius Sepi's original wall mural depicting
the natural foliage at Bukit Chandu in the
foreground and embedded in the background
is the image of the treatment of captured
Malay Regiment soldiers by the Japanese. |
|
The
Singapore Stone
This stone stands as the earliest inscription
found in Singapore, centuries before the island's
discovery by Sir Stamford Raffles. Originally
part of an ancient boulder that once stood
at the entrance of the Singapore River, this
surviving fragment now lies unbidden in the
National Museum of Singapore. The inscription
remains undeciphered to this day. |
|
Portrait
of
Sir Frank Athelstane Swettenham
This portrait of Sir Frank Athelstane Swettenham
by famed artist John Singer Sargent is the
most valuable artefact in Singapore's national
collection. It portrays Swettenham as a capable
leader amidst the grandeur of the British
Empire. It now hangs in the National Museum
of Singapore, but has also travelled extensively
to places like London, Washington, D.C. and
Australia. |
 |
|
|
|
|
|
|
| Singapore
Art Museum |
|
|
|
Singapore
Philatelic Museum |
 |
|
 |
|
 |
|
 |
Dotting
the Eye
This work is one of the finest examples of
collage works by Cultural Medallion winner
Goh Beng Kwan among other great pieces in
the Singapore Art Museum. Completed in 1991,
its use of bright colours and traditional
papercuts evoke the celebratory mood of Chinese
festivals and rituals. |
|
We're
Happy, Are You Happy?
Famed artist Teo Eng Seng developed a technique
working with paper pulp to create paintings
and sculptures, which he coined as 'Paperdyesculpt'.
He would work with ready-made objects such
as this bird cage in We're Happy, Are You
Happy? With tongue-in-cheek, Teo would
create provocative works that force viewers
to question themselves and the society that
they lived in. |
|
Straits
Settlements Cover
Highly priced for its rarity and historical
significance, this is the first and only known
Straits Settlements cover (or envelope) used
in Singapore with the first set of stamps
issued by the East India Company in 1854.
The cover, a collection of Singapore Philatelic
Museum, shows important milestones in the
world of philately and mail route between
Southeast Asia and Europe. |
|
Intaglio Printing Plates
Some of the world's first stamps were printed using the intaglio technique, in which the designs of stamps are meticulously engraved on metal printing plates. The world’s first stamp – the Penny Black - was printed using this very technique! |
The
Peranakan Museum |
|
|
|
National
Archives of Singapore |
 |
|
 |
|
 |
|
|
Catholic
Altar
This exquisite Catholic altar is one of the
few surviving altar-sideboards and is probably
one of the largest in gilded teak style. Previously
used for Daoism ancestor worship, it was later
converted into a Catholic altar by the Peranakan
Chinese family. It depicts an image of the
Holy Family against carvings of Daoist deities
like the gods of happiness, wealth and longevity,
and auspicious creatures. |
|
Beadwork
Tablecloth
Intricately sewn from facetted glass beads
imported from Europe, this exquisite beadwork
tablecloth from Penang was used as a decorative
piece during special occasions like weddings.
It depicts beautiful motifs of birds, animals
and flowers which the Peranakan Chinese recognise
as fertility symbols. |
|
Building Plan of City Hall
Designed by Municipal Architect F D Meadows,
the Municipal Building was constructed from
1926 to 1929 to bring together departments
of the Municipal Commission, which was responsible
for services such as water, electricity, gas,
roads and street lighting. The building was
renamed City Hall after Singapore acquired
city status in 1951. |
|
|
|
|
|
|
|
|
|
|